Sunday 7 August 2016

'On hærfeste ham gelædeð': Anglo-Saxon Harvests

Harvesting sheaves in the Eadwine Psalter (Cambridge, Trinity College, R.17.1, f.232), illustrating Psalm 125/6

In some early medieval calendars, including those followed by the learned scholars of Anglo-Saxon England, August 7 is the first day of autumn. We are halfway between the summer solstice and the autumnal equinox; midsummer was (by their reckoning) exactly six weeks ago, and in my part of England at least there's a distinctly autumnal feel in the air. In Old English autumn is hærfest, and the beginning of autumn coincides with the beginning of the harvest: August 1 was Lammas, the 'feast of bread', the earliest festival of the wheat harvest when loaves made from the first corn were blessed. Six nights later comes autumn itself, as the Old English Menologium describes:

And þæs symle scriþ
ymb seofon niht þæs sumere gebrihted
Weodmonað on tun, welhwær bringeð
Agustus yrmenþeodum
hlafmæssan dæg. Swa þæs hærfest cymð
ymbe oðer swylc butan anre wanan,
wlitig, wæstmum hladen; wela byð geywed
fægere on foldan.

And [after the feast of St James] after seven nights
of summer's brightness Weed-month slips
into the dwellings, everywhere August brings
to all peoples Lammas Day. So the harvest comes,
after that number of nights but one [i.e. on August 7],
bright, laden with fruits. Plenty is revealed,
beautiful upon the earth.

I discussed the Menologium's lush picture of August in this post, but I can't resist pointing out again that the description of autumn as wæstmum hladen, 'laden with fruits', employs the same word as two of the most famous descriptors of autumn in English poetry: Blake's praise of 'Autumn, laden with fruit' and Keats, of course, for whom Autumn conspires to 'load and bless with fruit the vines that round the thatch-eves run'. Though more concise than the Romantics, Old English poetry is no less rich in pen-portraits of the natural world, so in this post we'll look at one or two more brief descriptions of harvest in Old English literature.

Cambridge, Trinity College, R.17.1, f.233v, illustrating the fruits and vines of Psalm 127/8

As well as being laden with fruits, autumn is full of plenty, wela, 'wealth, abundance'. In the words of Maxims II, it's hreðeadegost, the season of all the four 'most blessed with glory':

Winter byð cealdost,
lencten hrimigost - he byð lengest ceald -
sumor sunwlitegost, swegel byð hatost,
hærfest hreðeadegost, hæleðum bringeð
geres wæstmas, þa þe him god sendeð. 

Winter is coldest,
spring frostiest - it is the longest cold -
summer sun-brightest, the sun is hottest,
harvest most glory-blessed; it brings to men
the year's fruits, which God sends them.

If you learn nothing else from this post, you'll learn the Old English word wæstm! It means 'growth, increase', and therefore is translated here as 'fruits' of the earth in the broadest sense. Fruits of the 'year', actually, which calls to mind the description of harvest in the Old English Rune Poem, in the little verse attached to the rune Ger. The name of the rune is related to our word 'year' but here apparently means something like 'harvest', perhaps 'the yield of the year':

Ger byþ gumena hiht, ðon god læteþ,
halig heofones cyning, hrusan syllan
beorhte bleda beornum and ðearfum.

Harvest is a joy to men, when God,
holy king of the heavens, causes the earth
to give bright fruits for nobles and the needy.

blæd is another useful bit of Old English harvest-vocabulary: it can refer to blossoms and leaves as well as fruit, all kinds of things which bloom and flourish.


Here's a longer description of harvest from The Phoenix, a poem preserved in the Exeter Book. This poem describes the legend of the regenerating phoenix (based on a Latin source), which is interpreted as an allegory of Christ's resurrection and of the rebirth of the redeemed human soul. It also contains some of the loveliest descriptions of the natural world to be found in Old English poetry: the phoenix lives in a paradise of eternal summer, but this allows the poet to sketch beautiful little vignettes both of that glorious summer and of the winters and autumns and springs of this earth, which never touch that land.

A translation of the whole poem can be found here. The following extract (lines 240-259) comes after the poem has told how the rebirth of the phoenix is kindled by the intense heat of the summer, 'when the sun at its hottest, jewel of the heavens, shines above the shadows'.

Þonne bræd weorþeð
eal edniwe eft acenned,
synnum asundrad, sumes onlice
swa mon to ondleofne eorðan wæstmas
on hærfeste ham gelædeð,
wiste wynsume, ær wintres cyme,
on rypes timan, þy læs hi renes scur
awyrde under wolcnum; þær hi wraðe metað,
fodorþege gefean, þonne forst ond snaw
mid ofermægne eorþan þeccað
wintergewædum. Of þam wæstmum sceal
eorla eadwela eft alædan
þurh cornes gecynd, þe ær clæne bið
sæd onsawen. Þonne sunnan glæm
on lenctenne, lifes tacen,
weceð woruldgestreon, þæt þa wæstmas beoð
þurh agne gecynd eft acende,
foldan frætwe. Swa se fugel weorþeð,
gomel æfter gearum, geong edniwe,
flæsce bifongen.

At that time the flesh becomes
born again, entirely renewed,
sundered from sins; somewhat like
how in harvest people carry home
the fruits of the earth for sustenance,
pleasant nourishment, before winter comes,
in the reaping time, lest the showers of rain
destroy them beneath the clouds. There they find sustenance,
joy in feasting, when frost and snow
with overwhelming force wrap the earth
in winter garments. From those fruits
shall spring again the blessed plenty of men,
according to the nature of the corn which first is sown
as pure seed, when the sun's light,
life's sign, in spring
wakes the world's wealth, so that these fruits,
according to their own nature are born again,
the ornaments of the earth. In this way the bird,
old after years, becomes young again,
clad in flesh anew.

We've already seen harvest described as a time of wela and ead, 'wealth' and 'blessing, richness', and here it's both: eorla eadwela, 'the blessed plenty of men'. This period of abundance is joyous and beautiful but necessary, too, as the harvesters lay in a store of sustenance for the winter months ahead, when frost and snow will 'wrap the earth in winter weeds' (wintergewæde - fantastic word!). There's emphasis on both the necessity and the pleasure of eating: food is sustenance (ondleofa, wraðu) but feasting is also wynsum and a time of gefea, which both suggest joy and pleasure. Hence harvest festivals, and the celebration still often today called 'harvest home' - it's nice to see that familiar alliterative collocation in this extract of harvest and home (on hærfeste ham gelædeð).

Harvest, from an Anglo-Saxon calendar for August (BL Cotton MS Tiberius B V/1, f.6v)

The first three images in this post are from illustrated psalters, two of which depict verses from Psalm 125/6: 'They that sow in tears shall reap in joy. He that now goeth on his way weeping, and beareth forth good seed, shall doubtless come again with joy, and bring his sheaves with him'. This is how an Old English poet turned those verses into poetry (from the Paris Psalter):

Þa her on tornlicum tearum sawað,
hi eft fægerum gefean sniðað;
gangende and ferende georne wepað
and heora sylfra sæd sniðað æfter,
cumað þonne mid cumendum cuðe mid blisse
and on heora sceafas berað, swa hi gesamnedon.

Those who sow here with grievous tears
will reap again with beautiful rejoicing,
going forth earnestly weeping
and afterwards they will reap their own seed,
returning they will come with joy
and bear their sheaves, which they have gathered.

It would be remiss to spot the word sceafas, even in this Biblical context, and not mention the connection between sheaves and one of the most important (if obscure) legendary heroes of Anglo-Saxon literature: Scyld Sceafing, the great king of the opening lines of Beowulf. Scyld is an ancestor of the royal houses of Wessex and Denmark, and seems to be the son of a figure named Sceaf, a name which means sheaf, as in corn. According to one version of the story, Sceaf (or Scyld himself) was found as a child drifting in an open boat with a sheaf of corn at his head. Taken ashore, he grew and flourished and became a famous king, in whose time there was great prosperity. On his death his people returned him to the waves, sent out to sea in a boat laden with treasure. He left a son named Beow (which means 'barley) of whom Beowulf says 'blæd wide sprang' - his 'fame spread far and wide', but with a pun on the word I mentioned earlier, blæd, 'growth, harvest'. Somewhere amid this conflicting mass of legend we can probably discern a pre-Christian fertility myth - an Anglo-Saxon hero of the harvest.


To close with prose rather than poetry, the description in The Phoenix of yearly rebirth reminded me of a passage from the Old English version of Augustine's Soliloquies:

Ðu recst þæt gear and redst þurh þæt gewrixle þara feower tyda, þæt ys, lencten and sumer and herfest and winter; þara wrixlað ælc wyð oððer and hwerfiað, swa þat heora ægðer byð eft emne þat þæt hyt ær wæs, and þær þær hyt ær wes; and swa wrixlað eall tunglai and hwerfiað on þam ylcan wisan, and eft se and ea; on ða ylcan wisan hweorfiað ealle gesceafta. Wrixliað sume þa on oððer wyssan swa þat þa ylcan eft ne cumað þær ðær hy er weron, eallunga swa swa hy er weron, ac cumað oðre for hy, swa swa leaf on treowum, and æpla, græs, and wyrtan, and treoweu foraldiað and forseriað and cumað oððer, grenu wexað, and gearwað, and ripað; for þat hy eft onginnað searian. And swa eall nytenu and fugelas swelces ðe nu ys lang eall to arimmane. Ge furþum manna lichaman forealdiað, swa swa oðre gesceaftas ealdiað; ac swa swa hy ær wurðlicor lybbað þonne treowu oðþe oðre nytenu, swa hy eac weorðfulicor arisað on domes dæge, swa þæt nefre syððan þa lichaman ne geendiað ne ne forealdiað.

You rule the year, and govern it through the turning of the four seasons, that is, spring and summer and autumn and winter. These change places, each with another, and turn so that each of them is again exactly what it was before, and where it was before; and likewise all stars turn and change in the same way, and the sea and rivers too. In this way all created things undergo change. But some change in another way, such that the same thing does not come again where it was before, or exactly as it was before, but another comes in its place; as leaves on the trees, and fruits, grass, and plants and trees grow old and dry, and others come, grow green, and reach maturity, and ripen, and with that begin again to wither. And just so do all beasts and birds, in such a way that it would take too long to reckon them all now. And indeed the bodies of men grow old, just as other created things grow old; but just as their lives are more valuable than those of trees or other animals, so they will more worthily arise on Judgement Day, so that never again will the body come to an end or grow old.

grenu wexað, and gearwað, and ripað, for þat hy eft onginnað searian - 'grow green, and reach maturity, and ripen, and with that begin again to wither'. That's a later stage of autumn, explored in this post on the fall of the leaves. Elsewhere on this blog you can also find posts for the beginning of winter on 7 November, spring on 7 February, and summer on 9 May, looking at how those seasons are described in some Anglo-Saxon poems.